TV


Perusing the dictionary in search of inspiration, I happen upon the word yoicks.

>exclamation used by fox hunters to urge on the hounds

Of course – of course! – the first thing I thought of was Scooby Doo.

…although I realised I was likely conflating “Yikes!” and “Zoinks!” in relation to usage by Shaggy or Scoob.

Yet… yikes is listed as a possible variant of yoicks, and the notion of a word being used “to urge on the hounds” turning up in a cartoon about a dog has a nice continuity about it.

I am delighted further to find that etymological discussion on this issue has been exercising internet scholars for some time.

Tally-ho! It’s Z on Monday.

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Perusing the dictionary in search of inspiration, I happen upon the word yoicks.

>exclamation used by fox hunters to urge on the hounds

Of course – of course! – the first thing I thought of was Scooby Doo.

…although I realised I was likely conflating “Yikes!” and “Zoinks!” in relation to usage by Shaggy or Scoob.

Yet… yikes is listed as a possible variant of yoicks, and the notion of a word being used “to urge on the hounds” turning up in a cartoon about a dog has a nice continuity about it.

I am delighted further to find that etymological discussion on this issue has been exercising internet scholars for some time.

Tally-ho! It’s Z on Monday.

My basic point here is that news media seems to have become a cartoon, yet it is the viewer who is standing in thin air, holding a hand-lettered sign reading “Have mercy”.

“News” has always been subject to partisan adaptation, but in recent years there has been a lurch towards more and more overt manipulation and propaganda.

I don’t mean all that made-up stuff on Facebook. Which, by the way, appears even MORE made-up the more I see that one screen grab that proves Russia was trying to make fools out of America in the Presidential election. The Satan arm-wrestling Jesus one? I’ve never seen it in any other form except that one screen grab. Anyway.

The problem of the use by Trump (et al) of the term “fake news” is that what is frequently termed “the mainstream media” (MSM) (which I take it refers to traditionally reputable reporting outlets like newspapers, their online versions, BBC, ITV, Sky News, and the US equivalents) are, indeed, now perhaps more than ever, offering clearly biased versions of events, or frequently just making shit up.

It is a pantomime so painfully laboured that it is unclear for whom the entertainment is intended.

It could be argued that with the presentation of some issues in the news cycle being so blatantly one-sided and manipulative, there must be some other aim to the parade of bogus views, faked outrage and nose-leading opinion pieces masquerading as reporting.

Distractive media, one might call it, existing purely to have everyone looking at something else while some particularly egregious scheme is effected.

In the UK, for one example, we have Katie Hopkins, whose utterances I greet with a shrug when I hear about them. Her provocations are such a contrivance that I cannot expend any energy on them.

For another example, follow @geoffreyjewdas on Twitter and work backwards to the BBC’s latest round of character assassination concerning Jeremy Corbyn.

The Salisbury “chemical weapons” thing.

It is documented fact that eccentric multimillionaires attempt to control the discourse. Their reaction to a loss of monopoly, through individuals being able to access information directly, with millions simply not trusting them n’more, seems to have been to insist that their broadcasting organs present increasingly quixotic and offensively skewed information.

There’s a sense of acceleration about it too, an increasingly frantic scramble towards the base, which appears also to be a mode manufactured deliberately.

Yet with cackhanded obviousness, brazen wrongness. This seems more about attempts – and I mean comically slapdash attempts – to control people’s perceptions of events in a way that suggests our overlords don’t care who knows they’re trying to do it, or that they think no one can tell. Only, is it because “they” – The Man – think it’s safe to just do what they like, or that they want everyone to think that?

It calls to mind a real-world version of Facebook’s walled garden. A place where individual stories can’t change individuals’ decisions, but the overall backdrop can manipulate the way those events are interpreted. Only the backdrop here is apparently one of those Wile E. Coyote works, painted over a canyon wall, through which Roadrunner disappears, and from which emerges a truck, with horn blaring.

Viewed from outside the cartoon, it is funny in its preposterousness. Inside the world of the cartoon, from the point of view of the Coyote, it is an affront to reason, one that might legitimately prompt another hand-lettered sign saying “What the fuck is going on?”

Further to a previous Rock Notes post, it occurred to me that the correct frame of reference for the slightly aggrieved London hardcase calling for Thompson was, of course, Spiny Norman:

DINSDALE!

DINSDALE!

It then occurred further that the Netflix pilot would only succeed with the casting of Emma Thompson:

emma-thompson

So yeah, Emma Thompson plays Emma Thomsen, a successful Scandinavian crime novelist, who spends the series battling the attentions of a giant animated hedgehog, Spiny Normal (n.b. hilarious British comedy reference/anxiety of inference gag). Spiny Normal is trying to get her to front a crime procedural he has written about hedgehogs. He thinks she needs a comeback vehicle, which of course she does not, being the successful Scandinavian crime novelist rather than the British actress.

Thomsen has to resolve this mysterious collision of worlds, aided/hindered by her patronus, Thomson the cat. Thomson knows how to contact everyone in the multiverse but is perpetually popping off for a pee.

thomson-local

Thomson would probably have to be voiced by John Thomson (Jazz Club).

…I have actually got up to about Episode 4, if anyone’s interested in bunging me a few quid.

Of course I enjoyed Stranger Things this summer. Can’t wait for Season 2.

Now, what could be more meta-80s than a listen to synth pioneers Tangerine Dream having an electro stab at the theme song?  

Tangerine Dream and 80s TV go hand in hand for me.

The man… The machine… Street Hawk!

Anyway, the Stranger Synths are on SoundCloud, and I found out about it through the Gorilla vs Bear website.

Over-extended myself a bit today, just too much activity, too much walking about. So this evening I have been good only for sitting round and doing some proper convalescence.

image

Used to love Battlestar Galactica! Not the reboot, though that had its moments. Mainly I was glad to discover all the pieces for this were still in the box… #alsoametaphor…

“…corporate-dominated dystopias are the new zombies.”

Science fiction visions of the near future reflecting contemporary preoccupations, as usual. And io9 all like whatever and shit.

Meanwhile, still languishing in development: Lazarus.
Lazarus-panel

Might start another run through Fringe…

"Bring me Damon, Affleck, duct tape, the transmogrifier... and a pain au chocolat. "

“Bring me Damon, Affleck, duct tape, the transmogrifier… and a pain au chocolat. ”

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