Contains moderate hedge and bird peril.

Half term holiday. The last one of the year, in advance of the bigger holiday in the middle. The half term lengths that Summer had been preposterous, making a mockery of mathematics with a seven/three split. Staff and students alike finished the last week of the seven in a state of wide-eyed exhaustion. Next week, he thought, we return to a nothingy three week session, to be packed with last minute exam revision for those students that just realised this isn’t a drill, gimmicky distraction projects for the lower years, and assorted frantic loose end set text conclusion… all this in between preparing for next year, school trips and celebration assemblies.

Yeah, quite enjoyable,really, but a lot to do. I love having conversations about this with a particular pal of mine, as all he hears is “I have another week off now, then in three weeks I have another long holiday”. It supports his comically reductive line that teachers start at 9am and finish at 3.30 five days a week, sit down to enjoy lavish vacations for months on end, and generally live a cosseted Life of Reilly in the Land of the Cushy Numbers, unlike people with proper jobs. \n

Of course, his pose is marred somewhat by a role as a freelance graphic designer, whose social media updates speak of a life permanently plugged in, yet with ample time to draft epic responses, including well-chosen gif accompaniments; where working from home means every day is by default a day off; his whole calendar a matter of choice, dictated only by how much time one feels like spending on resizing pictures of cartoon teachers to fit the page.

Tee hee! Soon, though, I will in fact be luxuriating in the time-riches of a quite extensive holiday, yes, to be fair. And that means time to get at the garden. There are lots of little jobs becoming bigger jobs by the day: clusters of weeds emboldened by neglect, piles of wood accumulating with no firm designs for their future… and The Hedge.

[FX: Dramatic chords]

The so-called week off so far has been spent locked in combat with an extensive thicket round the perimeter. As regular readers may recall, we rent, but devote care and attention to our fortunate-to-have-it outside space. This hedge, though. 30-odd metres of privet. I am told it was originally maintained at about chest height, but since those fabled times it has transmuted into cyclopean ramparts the like of which might send a rational mind into a fever dream of unutterable intensity. F’tagen. It is my bête vert.

It is also about nine feet high, at least two feet higher than it should be. So shockingly high that I have switched measurement systems in my bewilderment. Most of April and May has been a write-off for good gardening weather, and many of the plants we put in at the start of the year are kind of wheezing their way out of the ground. Two feet of shadow on the hedge side is no help.

Effecting this trim is easier said than done, though. Some of the inner branches are the thickness of the base of my thumbs. Even the electric clippers’ battery has had enough, sending me pithy commentary on the process when it should be charging.

Still, it was progressing… but then, aaagh, I inadvertently exposed a nest with two baby sparrows in it. Rapidly-downed tools, hasty re-covering action, and a rethink. An important gardening lesson learned there: know your local birds’ mating seasons and nesting habits, and check foliage carefully before commencing any pruning.

I’ve started again from the top end, away from the entrance. And, happy ending: the parent birds returned within 20 minutes of the privet toupee being pushed into place.

Time off also means a bit more opportunity to attend to things like writing. The Pomera caught my eye last week, via the Offscreen Dispatch newsletter.

An E-ink Typewriter, a distraction-free composition tool, the spec on Kickstarter says it does calendar and spreadsheets, etc, has lengthy battery life, and comes with spiffy folding keyboard for portability.

It has a pleasingly retro appearance: bit clunky looking and partially techy; portable and does the jobbish? A Psion organiser sort of scenario. They have been available in Japan for 10 years, also a retrograde quality (for people in the west, at least, with notions along the lines of “Ah, Japan! Land of the Near Future!” etc). The kit is priced at an ‘early days of video’ level – something that seems stratospherically high for what it can actually do. The price point for the English version is about £300, which has something of the super keen, well-off early adopters-only about it.

This kind of put me off a little entire amount.

In the skint teacherish absence of shiny fresh toys, then, I’m writing this on a decrepit Asus Aspire One. Eight years old. Intel Atom inside (TM, etc). Weeeell… It’s good for typing on? I can even do spreadsheets, but if I start asking it to do other stuff one might take for granted from even a half-decent smartphone in 2018, it starts freaking out and seizing up, like a middle aged man in the throes of a back spasm. By “other stuff”, I mean run a web browser, for example. An attempted update of Firefox made it wander off into another room to forget what it was doing there for about forty minutes. Chrome fared even worse (still out looking for its car in a neighbouring street, I think). It’s probably for the best. So, here I am using WriteMonkey, which the Acer at least seems able to handle without waving a hand frantically and gesturing vaguely over its shoulder.

This week’s sunny weather and border landscaping saw outside basking prioritised over content consumption anyway. I note with interest that Penelope Lively’s Moon Tiger is up for the Golden Booker prize. The Booker of All Bookers (whatever) is to be announced on 8th July, which gives me time to read the version I have hidden in a box somewhere beforehand, and maybe Midnight’s Children as well, which also sits awaiting interest.

Shelves. I’ve fallen into a nice rhythm with bits of the KonMari Method. “You’ve got to have a system!” (H.Hill) Originally, I had confidently expected the process to be done in a couple of weeks, scoffing at the slow six months suggested in the supporting literature (gleaned from a cursory skim through the website, I mean).

Yet, faced with boxes opened, looked through, deemed essential, re-lidded, then re-opened and re-appraised in fits of ‘No, come on, seriously…’ I have come to appreciate the *extended project-ness* of it all.

A lifetime habit of accumulating tat will require more than a simple act of abandonment, much as I enjoy those. I keep finding books from old flames and forgotten friends, and all those need to be attended to properly. Marie Kondo’s concept of resacralising is an interesting aspect, but, as Edgar Poe suggested, whenever people talk about the supernal oneness, there’s never a word said about the infernal twoness. I’ve found there’s an element of exorcism to undergo as well. Thankfully short on pea soup projectile vomiting, though, at least so far. This is probably because I’ve started with the “papers” bit of “books and papers”, in a somewhat craven act of alphabetical chicanery.

Finally for this week, I’m publishing *just about* in time to share my annual appreciation of the high and windy genius that is The Paragons, “Riding High on a Windy Day”.

Rock never came any steadier. I wear a smile upon my face, anyway.